제3회 한국대중음악학회 학술대회를 성공적으로 마쳤습니다
by sonicscape ~ June 23, 2008
지난 6월 14일 정동 프란치스코 교육회관 4층 소회의실에서 열린 제3회 한국대중음악학회 학술대회가 무사히 끝났습니다. 김창남 회장님, 최은숙, 이영미, 정경은, 김병오 4명의 발표자 선생님, 한동헌 노찾사 대표님 그리고 행사를 준비하느라 고생하시고, 참석해서 열띤 토론을 해주신 여러 선생님들께 감사의 말씀드립니다.
CFP: IASPM 15th biennial conference
by sonicscape ~ June 23, 2008
http://www.iaspm.net/doc/liv2008cfp.htm
마감이 얼마 남지 않았네요!
Call for Papers
Popular Music Worlds, Popular Music Histories
University of Liverpool, UK
July 13-17, 2009
For its 15th biennial conference, the International Association for the Study of Popular Music (IASPM) invites papers which explore the various connections and disconnections between popular musical worlds and popular music histories. Given Liverpool’s important place in relation to both areas, it will provide an ideal setting for papers submitted to the following streams:
Studying Popular Music: A Reassessment
Convenor: Martha Tupinambá de Ulhôa
Since the first attempts in the late 1970s and 1980s much has been done in terms of adapting analytical tools from several disciplines to the study of popular music. This stream welcomes papers dealing with the analysis of specific aspects of popular music (timbre, texture, prosody, melody, rhythm, harmony, arranging, etc.) or case studies of particular songs or instrumental pieces from any theoretical perspective.
Popular Music and Technology in a Historical Context
Convenor: Carlo Nardi
Different intellectual technologies have contributed to the way people produce and listen to popular music, be it orality, printing, recording or even the Internet. This stream welcomes papers dealing with the technological impacts upon popular music practices, including questions from cultural, aesthetic, ideological, economic, sociological, historical, legal or musicological perspectives.
Music, History and Cultural Memory
Convenor: Shane Homan
This stream seeks contributions that investigate popular music histories and the methodological challenges in their researching and writing. What particular historical narratives and agendas emerge, and what are their effects? The stream includes work that examines the role of popular music history in wider national histories and their presence in both informal (e.g. fan club newsletters) and formal (e.g. museums) contexts. Papers are also welcome that explore the role of ‘unofficial’ / ‘shadow’ music histories that challenge or offer alternatives to grander narratives and industry mythologies, to comprehend a politics of cultural memory studies in terms of what is officially preserved from oblivion and what is socially excluded from remembrance.
Music, Mediation and Place
Convenor: Geoff Stahl
The intersection of place-making and music-making as a site of mediation is a complicated one. From the use of certain music scenes or moments which have been mobilized as heritage myths and tourist packages, to issues related to the use of micro and mass media to bind musicmakers together–locally, regionally, nationally, and globally–the intersection of time and place as a highly mediated process has proven a vexed and complex phenomenon. We welcome papers which explore the many issues relating to music histories, representations, discourses, spaces and places, as well as those that consider the various research methods which might be best be deployed to capture this phenomenon.
Musical Struggles
Convenor: Michael Drewett
Being a musician inevitably involves struggle: Musicians starting out struggle to make it, musicians ‘in the margins’ struggle towards mainstream coverage, some musicians involve themselves in political struggle to do with identity issues and/or social issues, while in contexts of censorship, repression and control some musicians struggle to be heard. Even commercially successful musicians can become embroiled in corporate struggle over contractual obligations. This stream seeks contributions which document and conceptualise such struggles within a socio-political framework.
Abstracts should be no longer than 250 words (one page) and should be sent in the following format:
Title
Presenter(s)
Institution
Email
Abstract
Keywords (five keywords that best describe your topic)
Abstracts should be sent to BOTH the conference address and the convenor of your stream. The conference address is:
Please label your abstract with your last name (i.e. smith.rtf, or smith.doc), not the title.
The deadline for abstracts is July 1, 2008.
We will notify participants no later than November 1st, 2008.
We look forward to seeing you.
The IASPM-International Executive
학회지 대중음악 1호 발간
by sonicscape ~ June 23, 2008
한국대중음악학회의 공식학술지 “대중음악” 1호 (2008년 상반기)가 발간되었습니다.
반년간지로서 발간될 예정이고, 다음 원고 마감일은 8월 15일입니다 (songcing@chol.com).
많은 관심과 투고 부탁드립니다.
지난 학술대회에 참석하지 못한 회원 여러분께는 별도로 발송될 예정입니다.
차례
권두언 / 김창남
영미 대중음악사의 주요 쟁점과 대중음악사 서술의 제(諸) 문제 / 최지선·박애경
중화권 대중음악의 복합적 역사(들)에 관한 하나의 시좌(視座) / 신현준
일본 대중음악사 서술의 유형과 시각 / 신현준·이준희
한국 대중음악사 기술을 위한 기초 작업: 몇 가지 쟁점을 중심으로 / 장유정
디지털음악의 시대: 통계의 재구성 / 김병오
대중음악과 무대의 만남: 팝 뮤지컬에 관한 고찰 / 원종원
퓨전국악의 대중화: 국악의 대중화와 대중음악화 사이에서 / 이소영
전통예술의 대중적·현대적 계승: 신민요와 사물놀이의 예를 중심으로 / 이영미